The New Perth exhibition is finished and this week I am taking down all the works, patching up the gallery and painting over the mural.
I’m pleased with how the show turned out, although, like all exhibitions the things that I wasn’t able to achieve are the ones that stick in my mind. These things are usually best not to talk about as people viewing the work most likely would never guess what they are.
This body of work is one that I’m keen to continue with, I finally feel that I have struck upon a methodology that combines all the ideas that persist with me. Many of my previous exhibitions, while fine in their own right, were a little all over the place in terms of visual cohesion. I’m looking forward to developing the narrative of New Perth, the myths and stories as well as branching out in to dimensional work. Creating costumes and relics from the struggle, false historical documents of what was.
During the run of the exhibition I was surprised at the amount of media response I received. Ric Spencers in depth review was a real highlight as it’s very difficult to get meaningful constructive criticism outside of university. He’s pretty bang on about a lot of my interests and influences as well, even referencing Leon Golub whose work at the Art Gallery of Western Australia was burnt in to my mind a long time ago. Also of note was my mention on Phantasmaphile, one of mine and Liz’ favorite blogs. To be highlighted alongside some of the most amazing contemporary figurative artists is a real treat. Finally my interview with Voice journalist David Bell was great as a chance to provide more context for the work.
I’d like to thank my wonderful partner Elizabeth Marruffo for her constant support of my practice and this project. None of it would be possible without her.
